As we progress some singular memories become more disturbed, isolated, broken and distant. Finest moments have been remembered, the musical flow in places is more confused and tangled. Here we are presented with some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away. The overall personal mood is generally lower than the first stage and at a point before confusion starts setting in.Ġ0:41:22 - C1 - A losing battle is ragingĠ0:50:44 - C3 - What does it matter how my heart breaksĠ0:53:22 - C4 - Glimpses of hope in trying timesĠ1:03:09 - D1 - I still feel as though I am meĠ1:10:54 - D3 - Last moments of pure recallĠ1:19:02 - D5 - The way ahead feels lonely More effort is made to remember so memories can be more long form with a little more deterioration in quality. The second stage is the self realisation and awareness that something is wrong with a refusal to accept that. The last of the great days.Ġ0:00:00 - A1 - It's just a burning memoryĠ0:15:38 - A6 - Things that are beautiful and transientĠ0:26:31 - B3 - Quiet internal rebellionsĠ0:30:02 - B4 - The loves of my entire lifeĠ0:38:42 - B6 - My heart will stop in joy This stage is most like a beautiful daydream. Here we experience the first signs of memory loss. ![]() The part makes the discomfort and disturbing nature of a majority of Stages from three and ahead almost worth it.EVERYWHERE AT THE END OF TIME - Stages 1-6 (COMPLETE)Įverywhere at the end of time' was a series exploring dementia,Īudio remembered, disfigured and forgotten by The Caretaker.ĤCD collectors edition (Stages 4-6). Moreover, it is more astonishing since the noise and horror gives way to something new. ![]() If skipped to the last few minutes of the album, the culmination of hearing, feeling, experiencing this slow degradation of what humans hold most dear over the course of hours is beautiful. It explores a person’s slow descent into nothingness. Everywhere at the end of time is Kirby’s long-running album in 6 parts, the last of which was released in 2019. ![]() It bought him to create albums largely about memory, or the lack thereof. The Caretaker was inspired by the haunted ballroom scene from the movie ‘The Shining’. Moreover, there are hinges on the right side of the painting, so perhaps it is not a painting at all but something that swings, which leads to the end. Here, The Caretaker provides no comment to further indicate that it is the end, and nothing can be said about nothing. Additionally, at this stage, the mind completely loses anything resembling the memories of a life lived. ![]() The back of a painting with tape: In the album, the painting is turned away and the tape is peeling, perhaps to indicate diminishing. The person is lost and is unwilling to continue. The person is descending into madness, without much of a path to rely on. The memories are mixed to the point it is frightening and uncomfortable.Īn abstract representation of the protagonist: The protagonist is seen stepping downstairs, dressed in old fashioned clothing. A tint of comfort and pleasantness remain in this stage. Fragments of certain memories are mashed up and the person is confused and disconnected.Ī woman looking down: A profile of a woman looking down, streaky with cold colours blending together with barely any warmth. Moreover, the memories are no more linked. Something is odd, in obviousness but not enough to bother about.ĭisorientated use of colours: The brain is been eaten in prominency. Precisely, a part of the brain is eroding but not to an extent that it is unpleasant. Scathing flowers in an improper pot: The memories are letting go of the individual.
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